Unforgettable music nights with Mark Berman at Pangea Club
Gentle strokes of piano keys, sensible and precise bass section, intimate atmosphere of a downtown music club are what you will find at Pangea on the music nights with Mark Berman. The master at the piano will fill the room with the first-rate jazz that might remind you a dreamy Paris café somewhere close to Sorbonne with the young and the old mixing together for a night of musical delicacies over tasty drinks. The welcoming setting of the club may even inspire you to take a turn at the mic as the night key feature is an open mic in a warm company of friends. Singers who are planning to use sheet music are asked to bring two copies with you for Mark and his friends.
Berman, a well-known pianist, composer and arranger, has performed and recorded with who’s who of jazz, pop and rock from Aretha Franklin to Wycliffe Gordon and many others. He has written and produced music for television and film including Sex in the City, Nurse Jackie and more. Berman has also been a powerful presence on Broadway, where he has conducted orchestras for Rent, Smokey Joe’s Cafe and Blood Brothers, and played lead piano/keyboards on Bullets Over Broadway, The Boy from Oz and many other popular plays. He is a graduate of Hartt School of Music.
Pangea, located in the heart of East Village in NYC, is truly a downtown oasis of great music, good food, and tasty drinks.
You can reserve your seats for the night here or pay at the doors.
Delirious: Art at the Limits of Reason, 1950-1980 in view September 13, 2018 – January 14, 2017
The expansive show of the post-WWII art at the Met Breuerunder an ambitious title Delirious: Art at the Limit of Reason promises to spin your head. And it surely does! The exhibition includes the works of such luminaries of contemporary art as Andy Warhol, Yayoi Kusama, Eva Hesse, and Sol LeWitt among others. In all, about 100 pieces of art primarily from Europe, Latin America, and the US are organized under 4 loose categories: Vertigo, Excess, Nonsense, and Twisted. The visitors will encounter the generous labels about the subject and countersubject depicted in a particular work. This gentle guidance by the experts helps to appreciate fully the points made by the artists with all the twists and eccentricity entailed.
The curatorial introduction to the show gives the meaning of the word delirious in its medical sense and points to the turbulence of the post-wartime as a leading factor that either caused or led to stimulating that state of mind. As science and technology were accelerating its hold on everyday life and encroaching on one’s perception of reality, they got their place in the contemporary art as seemingly endless repetitive sequences of shapes, colors, and sounds. In fact, in some sense, the most delirious effect of the exhibition is from its soundtrack.
A review by Roberta Smith in the New York Timesnotes that given the pressure of the Cold War and the uncertainties of the time the “artists answered life’s absurdities with more of the same”.
It is curious to note the fluidity between the rational use of certain technical and mathematical concepts and their irrational derivations cleverly observed by the artists. Some examples of those effects are topographical representations of Steiner Surfaces by Ruth Vollmer, Study of Distortion by Agnes Denes, or Color Motion 4-64 by Edna Andrade. In other cases seemingly simple everyday actions are transformed by endless repetition to stunning visual and sound effects in Cycles of 3s and 7s by Tony Conrad and several works by Sol LeWitt.
Another interesting aspect of the show is its focus on the influence of the writings by Samuel Beckett on the artists. It’s not a coincidence as the show had preceded by 5 years of research into the perception of Beckett’s plays by the experimental artists. The exhibition also highlights a connection between the artistic expression and the social and political environment of the moment.
While it may feel by some that the exhibition skipped some of the work that could clearly belong there, it helps to keep in mind how productive the sphere of art was in the post-war time. This carefully selected sample of works is only scratching the surface of the oeuvre in the category feeding the appetite to see more.
With the NewYorkPass your can enjoy a free visit to the Met Breuer!
Discounted Tickets to the Christmas-themed concerts on December 13 and December 14, 2017
Andrea Bocelli, an Italian classical and pop music singer returns to Madison Square Garden in New York City to celebrate the holidays with his fans and followers. Bocelli will be sharing a stage with the conductor Eugene Kohn, soprano Larisa Martinez, and guest artist Heather Headley.
Bocelli grew up in the village La Sterza in Tuscany, Italy just south of Pisa where his family had a farm. Andrea started playing music from age 6. He took piano lessons and later learned to play a flute, saxophone, drums among other instruments. At about the same age after listening to a record of Franco Corelli, he showed an interest in opera music. Starting from age 14 he began participating in the singing competitions which came to establish his fame and followers. A connection to Corelli continued with Andrea attending Corelli’s master class in Turin in 1986 and later taking private voice lessons with him.
While studying and graduating with Law degree from the University of Pisa, he continued to sing performing at the bars and making tape recordings. One such tape got the attention of Italian rock star Zuccherro who in 1992 was holding a tape competition among tenors for the recording of his song Miserere. Bocelli’s tape recoding of Miserere was shared with the best known Italian tenor Luciano Pavarotti, who got very impressed with Bocelli’s singing. Bocelli was invited to perform in duets at Zuccherro’s European tours. The duets from that tour including Misererewere released in 1994. That year the young singer became a sensation after winning a newcomer prize at Sanremo Music Festival.Pavarotti took a deep interest in Bocelli’s career and since then they sang in duets at multiple charity concerts around the world. Bocelli is recording prolifically. His discography already includes 16 operas, numerous collections of arias and songs and music videos. His latest opera recording, Aida, was released in 2016 after Turandot in 2015. It is interesting that the role of prince Calaf from Turandot was among Bocelli’s initial solo selections back in the early 1990s.
The concert at Madison Square Garden will raise everyone’s holiday spirit and will surely include many Christmas classics and popular arias sang with utmost elegance and grace. With the NewYorkPass your can enjoy a free tour of the legendary MSG arena.
Dates and Discounted Tickets with the code TICKETS3: