The Met Fifth Avenue Roof Top Garden: The Theatre of Disappearance by Adrian Villar Rojas, April 14 – October 29, 2017

Adrián Villar Rojas: The Theatre of Disappearance at The Met Fifth Avenue Roof Top Garden

On view April 14 – October 29, 2017

The Roof Top Garden of the Met Fifth Avenue Museum is hosting a fascinating exhibition titled “The Theater of Disappearance” by Argentinean artist Adrian Villar Rojas. The exhibition, which includes 16 large sculptures by Villar Rojas, is intertwined with multiple other events under the same umbrella title this year including film series at Berlin Film Festival and visual art shows in Greece, Austria and Los Angeles. This overarching theme seems timely today as our accelerated pace of life with at times endless pileup of stuff leads to its opposite, a void or disappearance.

Villar Rojas came to fame when at the age 32 he was selected to represent Argentina at the 2011 Venice Biennial. His next big engagement on the international art scene was at the Documenta 2013 and Istanbul Biennial 2015. Villa Rojas is known for making life-size sculptures from large animals caring heavy loads as at the Istanbul Biennial to the ruins of tumbled staircase at MoMA PS1 “LA INOCENCIA DE LOS ANIMALES” in 2013.

For current installation at the Met the artist used spectrometry and 3D scans of the artifacts from the Met collection mixing up the time periods, places, ideas and facts. Ideally the viewers have to visit this installation after seeing the originals on the floors below. The FT review notes that at times it seems that the artists is “undoing all of art history”. The ArtNews reports about Rojas’s laborious study of the Met Museum collection encompassing its all 17 departments as well as interviews with the staff as part of the creation process.  

The photos from Art Summary blog lets you get a taste of the exhibition:

The Met Fifth Avenue Roof Top Garden: The Theatre of Disappearance by Adrian Villar Rojas, April 14 – October 29, 2017

Photographs by Corrado Serra. Artist’s Statement The Met’s history as an institution is a testimony to America’s path as a nation. Its doors opened in 1870 with a large collection of plaster casts of sculptural masterpieces. By the mid-twentieth century, genuine artifacts had displaced the copies. Departments quickly emerged, dividing the cultural endowment into regions […]

via The Roof Garden Commission: Adrián Villar Rojas, The Theatre of Disappearance at The Met Fifth Avenue, April 14 – October 29, 2017 — Arts Summary

The Roof Top floors had to be redone with the tiles created by the artists for this installation . The particularly designed greenery were added as well as the bar. The effect of the spectacular Manhattan skyline in the background accentuates the bacchanal in the garden. Come and see it yourself.

New York City Pass

For museum hours and more click here.

Enjoy your free visit to the Met museum with NewYorkPassCard ! 



Venue: The Met Museum on Fifth Avenue        Time: till October 29, 2017

April – October 2017 Summer Art in NYC: CHIHULY at New York Botanical Garden

April – October 2017 Summer Art in NYC: CHIHULY at New York Botanical Garden

Open from April 22 – October 29, 2017

World-renowned glass sculpture artist Dale Chihuly returns to New York Botanical Garden with his new installation CHIHULY. The exhibition includes 20 works combining early drawings and the latest creations.

April - October 2017 Summer Art in NYC: CHIHULY at New York Botanical Garden

“CHIHULY, a major new exhibition at The New York Botanical Garden spotlights world-renowned artist Dale Chihuly’s bold innovation in a variety of media throughout his celebrated career. Chihuly’s first major garden exhibition in New York in more than ten years features more than 20 installations and includes drawings and early works that reveal the evolution and development of his […]

via CHIHULY at New York Botanical Garden, April 22 – October 29, 2017 — Arts Summary

Dale Chihuly’s art blends easily with the nature, so this year installation at the NYBG is not the first experiment in that regard. The New Botanical Garden gives these innovative art works a genuine environment. In an interview with the ArtNet Todd Forrest, the NYBG’s vice president for horticulture and living collections stressed that “the combination of art and nature that exemplifies Dale Chihuly’s art is something that is very close to our hearts at the New York Botanical Garden.”

Chihuly came a long way in reaching the level of expression he is presenting to the public today. After years of studies and work at the top art schools in the US, he studied glass blowing at the Venini factory on the island of Murano off Venice, Italy. There and elsewhere in Europe he was able to experiment with the techniques, colors and materials that now make integral parts of his installations.

The exhibition at the NYBG is highlighting the interplay not only between the glass creations and the nature but also between daylight and nighttime illumination. The garden will open late for the visitors to experience this magic. Check the hours here. New York City Pass

Enjoy your free visit to New Botanical Garden with your NewYorkPass!

In addition to the art and nature there will be summer concerts in the garden. The opening concert in the series on Friday June 16, 2017, the French Connection, is featuring vocal sensation Camille Bertault and Alphonso Horne on trumpet. 

Venue: New York Botanical Garden, NY                                             

Date: April 22 – October 29, 2017 


Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM in Brooklyn, NY

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM in Brooklyn, NY

Historic double bill of Café Müller/The Rite of Spring on September 14-24, 2017

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
Pina Bausch, Photo Credit: J. Paolo Pimenta / Image courtesy of BAM

This year Tanztheater Wuppertal Pina Bausch brings to New York two extraordinary ballets Cafe Muller set to the music of Henry Purcell and Igor Stravinsky’s The Rite of Spring.  The psychological complexity conveyed by the Bausch’s powerful choreography will without doubt touch the souls of everyone from the dance aficionados to the novices to the art of ballet. The performances are part of the Next Wave Festival at BAM which will run from  September 14 till December 16, 2017.

Pina Bausch and her theater Tanztheater Wuppertal had made a New York debut in 1984 and became highly anticipated guests on NY dance scene from that time on.

Bausch formal dance education started when at the age of 15 she was accepted to Folkgangschule of North Rhine-Westphalia, Germany to study under the direction of Kurt Jooss, a pioneer of dance-theater genre who connected the ballet with the theatrical drama. After graduating the Folkgangschule, Bausch studied at Juilliard School in New York in the early 60s and was part of the New York Ballet, Paul Taylor company and other groups. Returning to Germany in late 60s to continue her work with Jooss, she choreographed her first ballet Frangmente to the music of Bartok in 1968.

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
From The Rite of Spring, Photo Credit:Ludovico Bastianini / Image courtesy of BAM

Assuming the role of artistic director for the Wuppertal Opera ballet in 1973, she continued to produce new ballets thus developing the style of tanztheater.

For the performances at BAM, Tanztheater Wuppertal will perform Cafe Muller and The Rite of Spring. Cafe Muller (1978) likely includes autobiographical elements, as Bausch family had also owned a café where Pina, still a child, had made her first dance performances entertaining the guests. In the ballet, the dancers make sleepwalking movements in a dark, deserted café interior acting out a tale about human emotions which are flaring up under the covers of night. Or it could be child’s interpretation of the complex and scary world of the grownups. The Guardian review of the piece for its 2008 performance at Sadler’s Wells, London,  notes that the characters are “trapped in an existential tape loop, they endlessly reprise their actions and interactions.” Amplifying the effect are the arias by Henry Purcell mixed with the moments of silence.  The repetitive movements seem to suggest that the characters are about to break themselves free but in the end are unable to do so.

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
From The Rite of Spring, Photo Credit:Oliver Look / Image courtesy of BAM

The second part of the bill is The Rite of Spring (1975)  to the powerful score of Igor Stravinsky. In Bausch’s take of this ballet, which was originally written for Ballet Russes and choreographed by Vaslav Nijinsky, it at times seems that the dancers’  movements are making the music itself so close the choreography is in following the score. For this piece the stage is covered with dirt which plays a part in the performance. It is a character in the storyline along with the tribe and its rituals. The powerful and muscular movements of the male group are accentuated by the sensual and gentle actions of the female performers. This contrast between the sexes leads up to an emotional rite of the sacrificial selection by the tribe and its triumph over the individual expression and freedom. The ballet is so powerful that at time it feels like the composer and the choreographer were literally working together. Time is powerless to separate the geniuses of the music and choreography creators.

Nothing beats seeing the live performance but Chantal Ackerman’s documentary One Day Pina Asked shows how the danztheater is being made.

Book your tickets here.

Venue: Peter Jay Sharp Theater, 30 Lafayette Avenue, Brooklyn, NY        Time: September 14 – 24, 2017