Plan your visit by booking your time-entry tickets. Or explore the art center collection online. You can scroll through an exhaustive list of large sculpture masters who have their art shown at the center.
Limited encore engagement on January 10 – 28, 2024 at BRIC House in Brooklyn, NY
A scene from Pushkin “Eugene Onegin” by Krymov Lab / Photo Credit: Bronwen Sharp
Krymov Lab NYC is pleased to announce a limited encore presentation of the celebrated interpretation of Pushkin’s Eugene Onegin, from Russian director Dmitry Krymov, “one of the world’s finest theater-makers” (The New York Times), currently residing and creating in exile in New York. Since founding his NYC-based studio in 2022, Krymov’s company has already won significant acclaim from The New York Times,The New Yorker and New York Magazine, selling out a much in-demand 2023 run of his adaptation of Eugene Onegin at La MaMa Theater. Now, Pushkin ‘EUGENE ONEGIN’In Our Own Words returns from Wednesday, January10 and continuing through Sunday, January28 for a limited encore engagement presented in partnership with Under the Radar; Mark Russell, Festival Director & ArKtype, Festival Producer at BRIC (57 Rockwell Pl, Brooklyn, NY 11217). Tickets start at $52 and are available at https://www.universe.com/events/under-the-radar-presents-pushkins-eugene-onegin-in-our-own-words-tickets-CB1YMZ
Pushkin ‘EUGENE ONEGIN’In Our Own Words is a simultaneously raucous and sobering journey through the past and future of a major cultural touchstone. In Krymov Lab NYC’s production, four immigrant Russians desperately try to communicate the value of an untranslatable classic to a New York audience. Why should we be made to care about the trials of a shallow Byronic hero, a too-deep teenage girl, and a less-than-successful birthday party? In the face of wartime atrocity, is there still a place in today’s world for Dostoevsky, for Tchaikovsky, for Pushkin? Can beauty and intellect survive such horrors? And should it?
Reimagined in 2024 as a new, citywide annual festival of theater and performance emerging from New York and around the world, this iteration of Under the Radaris curated in collaboration with an array of New York arts organizations and curators, rather than being tied to a single host institution. Each harnesses the community-building, connective, celebratory nature of the festival format to introduce some of today’s most innovative voices to wider audiences. The festival sets an example of how collaboration can get the American theater through this moment of existential crisis: reinvigorated and ready to create a theater that can embrace diversity, risk, and reinvention.
The production stars Natalie Battistone (ART’s world premiere of O.P.C. by V (formerly Eve Ensler)), Kwesiu Jones (MTA Radio Plays (Rattlestick Playwrights Theater)), Jeremy Radin (TV: It’s Always Sunny in Philadelphia, CSI, Criminal Minds), Jackson Scott (Spanish punk band Mano de Dios), Elizabeth Stahlmann (Tectonic Theater Project’s world premiere of Here There Are Blueberries at La Jolla Playhouse, directed by Moisés Kaufman), and Anya Zicer(Bad Roads by Natalka Vorozhbyt at LaMaMa Experimental Theatre).
Pushkin ‘EUGENE ONEGIN’In Our Own Words plays on the follow days from January 10 through Sunday, January28:
Tuesdays @ 7:30 pm
Wednesdays @ 7:30 pm
Thursdays @ 7:30 pm
Fridays @ 7:30 pm
Saturdays @ 2 pm and 7:30 pm
Sundays @ 3 pm and an additional performance on 1/21 at 7:30 pm
Music by Beethoven, Schumann, Chopin, Mendelssohn, and Liszt performed by Sophia Agranovich, pianist at Bargemusic Masterworks Series on Friday, August 4, 2023 at 7 pm
Sophia Agranovich, piano in Bargemusic Masterworks Series / Photo credit: Bill Walendzinski
Bargemusic Masterworks Series will feature a piano recital by an acclaimed musician Sophia Agranovich on Friday, August 4, 2023, at 7 pm. Called by the critics “a tigress of the keyboard,” Ms. Agranovich is best known for playing music by Golden Age Romantic composers. Her program at the Bargemusic includes works by Beethoven, Schumann, Chopin, Mendelssohn, and Liszt.
Bargemusic’s unbeatable location on a floating barge at the foot of the Brooklyn Bridge will color your night with the unforgettable lower Manhattan skyline, shimmering lights reflected in the East River, and the gentle sound of waves. The concert runs without intermission; seats are limited so book ahead.
Russian Arts & Theater Studio presents new play Diary of a Madman from June 2 – August 5, 2023 at Pushkin Hall in New York City
Tom Schubert as Poprischin in Diary of a Madman by Gogol at the Russian Arts Theater and Studio / Photo credit: Julie Skarratt
This season the Russian Arts Theater and Studio adds another robust production to its repertoire. This time it’s a play based on a short story by Nikolai Gogol “Diary of a Madman.”
Masterfully adapted for the stage by Di Zhu, the Managing Director, and directed by Aleksey Burago, the Artistic Director, the grey life of a resentful clerk swirls into madness in front of your eyes. Talented Tom Schubert in the title role keeps everyone at the tips of his nervous fingers. His pulsing energy and impeccable acting are the engine of the production. The rest of the cast, which includes Albert Baker, Luisa Menzen, and Sarah O’Donnell, skillfully recreates the fantastical and ordinary scenes with tasteful naughtiness and imperviousness to the absurdity around them. As the world spins out of control and the bleak routine turns from peculiar to surreal to outright mad, so is the storyline.
“Diary of a Madman” fits right in to the list of past theatrical productions staged by the Russian Arts Theater and Studio, including a dynamic interpretation of Marquez’s The Rise and Fall of Macondo (One Hundred Years of Solitude), warn and funny “Lambs for Slaughter” from the short stories by Roald Dahl, stunning Bunin/Berberova play among others.
Theater lovers will undoubtedly appreciate this high-powered staging and the remarkable acting.
