Art in NYC: World War I and the Visual Arts at The Met

Art in NYC: World War I and the Visual Arts at The Met

The horrors of war in the eyes of the witnessing artists

The Parents by Kathe Kollwitz, 1922

This rather small exhibition at The Met, Fifth Avenue museum is guaranteed to leave a strong impression on the viewers. So powerful are the dark images that one hardly brings oneself to see the rest of art splendor at the museum. The sirens of bombardments, the smelly trenches, the victims in pain tell a sad story of war and devastation as it depicted by Kathe Kollwitz, Otto Dix, George Grosz, Gino Severini and many others.

Art in NYC: World War I and the Visual Arts The Met
Plague German by Otto Dix, 1919 / not in the exhibition

The exhibition starts with the patriotic posters issued by each and every country that had participated in the military actions at the time. The mood of the posters is about the same no matter which country they belong. In loud and demanding voices they all were asking their respective compatriots to bravely participate in collective sacrifice to support the honor of the king, or emperor, or kaiser, or sultan. That heroic and brave mood changes to the cries of the wounded and the tears for the dead as the exhibition continues.

The World War I, which started with the assassination of the archduke Franz Ferdinand of Austria in June of 1914, lasted till November, 1918 and had resulted in the death of one million combatants and seven million civilians making it one of the deadliest conflicts in history.

The exhibition opens with the cautious works from 1914-1915 such as lithographs by Natalia Goncharova, graphics by Christopher Nevinson and Gino Severini. While not exactly endorsing the war, in those initial years of the conflict many were looking at it as redemption. As more countries entered the war and more horrors started to fall on the civilians and the soldiers, the patriotic tunes turned to the screams for help.

Art in NYC: World War I and the Visual Arts The Met
Made in Germany by George Grosz – website of the MOMAPage: / image courtesy of

The last gallery in the exhibition delivers probably the most powerful message begging to remember where the war leads. In that gallery you will find The War (Der Krieg) cycle of 50 etchings by Otto Dix released in 1924 to commemorate the ten-year anniversary of the war start. Dix had volunteered for the German Army in 1914, served for 4 year and was badly wounded. Being profoundly affected by the conflict, his feelings about it changed as the nightmares of destruction continued to hound him for some time.

The same gallery also presents the drawings and prints by George Grosz. A contemporary and friend of Dix, Grosz was also serving in German army at the time of WWI but not with such clear patriotic overtones. His works satirize the high ranks of the military and depict the sorry state of the soldiers.

One of the most potent entries in the show are the lithographs by Kathe Kollwitz. Having experienced firsthand the grieve and pain of the loss of her son in WWI, Kollwitz’s depiction of women in deep mourning are a mighty plea to stop any posturing towards the war. This year as the world celebrates her 150th anniversary, Kollwitz humanistic works condemning the war and oppression can be seen at various exhibitions in London, Berlin and Cologne. An expose on  points out that at each of these shows “there is good, hard art to be discovered”.

As for the show at The Met, its message is particularly relevant today amid the reckless threats and provocations.

For museum hours and more click here.

Venue: The Met Museum on Fifth Avenue        Time: July 31, 2017 – January 7, 2018



Jazz in NYC: John Pizzarelli Sinatra & Jobim @ 50 at Birdland

Jazz in NYC: John Pizzarelli Sinatra & Jobim @ 50 at Birdland

Celebrating with Daniel Jobim and Jessica Molaskey half-centennial of Sinatra / Jobim recording 

Jazz in NYC John Pizzarelli Sinatra & Jobim @ 50 Birdland
John Pizzarelli; CC BY-SA 3.0,


Soft melodies of jazz standards performed by a well recognized guitarist and singer John Pizzarelli in the company of an equally renowned jazz singer Jessica Molaskey and Antonio Carlos Jobim’s grandson Daniel Jobim will make for an unforgettable summer night!  The concerts are a celebration of 50 year anniversary of the recording made by Frank Sinatra and Antonio Carlos Jobim. Sinatra frequented a bar in Rio where Jobim had performed regularly, and this was how the timeless collaboration came to life.

An album to honor the anniversary is already released but what can beat the power of live performance at the Birdland?

John Pizzarelli comes from a family of New Jersey swing guitarist Bucky Pizzarelli well known in his own rights and still performing with John and his wife jazz-singer and actress Jessica Molasky. John credits Bucky as his most important teacher guiding his musical and professional career.

In the newly released album Pizzarelli masterly mixes the songs on the original recording done by Sinatra and Jobim in 1967 with those that were not included on it. That original album had “transported Brazilian music into stratospheric heights where it remains to the present day” in the words of Nick Catalano from

The master of romantic ballades and sensible interpretation of classical tunes, Pizzarelli’s return to Birdland is highly anticipated. The audiences know his gentle sense of humor and warmth of his music. Its no wonder that “@50” album is described in The Times  as  “sentimental rather than slavish” with the “songs that weren’t on the Sinatra album coming off best”. You will enjoy Bossa Nova classics like Girl from Ipanema and many more.

You can make reservations here.

Venue: 315 W 44 Street, NY                                             Dates: August 8-12, 2017

Music in NYC: New York Philharmonic with Leif Ove Andsnes in a program of Rachmaninoff, Sibelius, Salonen

Music in NYC: New York Philharmonic with Leif Ove Andsnes in a program of Rachmaninoff, Sibelius, Salonen

Music in NYC New York Philharmonic with Leif Ove Andsnes Rachmaninoff Sibelius Salonen
Leif Ove Andsnes. Photo credit: Oezguer Albayrak / Image courtesy of New York Philharmonic

New York Premiere of Esa-Pekka Salonen Gambit followed by Rachmaninoff and Sibelius in October, 2017

The upcoming 2017-2018 New York Philharmonic season presents a carefully selected list of the masters ready to deliver the best in classical music experience. One of them is a Norwegian pianist Leif Ove Andsnes . Audiences around the world are very familiar with the measured and exact style of Andsnes. This season he is named The Mary and James G. Wallach Artist-in-Residence by the New York Philharmonic with three concerto appearances and a recital in his only New York performances.

Andsnes début on the New York Philharmonic stage took place in 1997 followed by 28 appearances. His concert tours over the 2016-2017 season had won him much recognition and acclaim. He had successfully collaborated with another world renowned pianist Marc-Andre Hamelin giving Two Pianos recitals featuring Stravinsky’s “The Rite of Spring”, as well as the music of Mozart and DebussyAnthony Tommasini of the New York Times had noted “a fearless, incisive and surprisingly alluring account of this “original” version of the “Rite” at the Two Pianos recital at Carnegie Hall last April.

Music in NYC New York Philharmonic with Leif Ove Andsnes Rachmaninoff Sibelius Salonen
Paavo Jarvi, Photo credit: Jean Christophe Uhl / Image courtesy of New York Philharmonic

Andsnes is also well-known for his recordings particularly for his exploration of Beethoven’s works which he calls the Beethoven Journey. He dedicated four years to complete the recordings of Beethoven five concertos with Mahler Chamber Orchestra. The recordings were released in installments by Sony Classical and the series was named one of The New York Times’s Best of 2014, iTunes’s Best Instrumental Album of 2012, and BBC Music Magazine’s 2015 Recording of the Year.

The program for Andsnes first appearance with the New York Philharmonic this season under Paavo Jarvi conducting will include New York premiere of Esa-Pekka Salonen Gambit, Rachmaninoff’s Piano Concerto No. 4 and Sibelius’s Symphony No. 5.

The program of majestic music by Rachmaninoff and Sibelius combined with the highly anticipated premiere of Salonen’s piece will surely be a delight the concert-goers.

Book your tickets here.

Venue: David Geffen Hall, Lincoln Center, NY

Dates and Times: 

Thursday, October 12, 2017, 7:30 pm

Friday, October 13, 2017, 11:00 am

Saturday, October 14, 2017, 8:00 pm

Tuesday, October 17, 2017, 7:30 pm