Author: arts-NY

Theater in NYC: Bunin / Berberova – In Paris / The Waiter and the Slut

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Theater in NYC: Bunin / Berberova – In Paris / The Waiter and the Slut

RETURNING for an ENCORE RUN in DECEMBER, 2019

The Russian Arts Theater & Studio presents an elegant and subtle parable of the life in exile based on Ivan Bunin’s and Nina Berbersova’s stories; at Pushkin Hall from December 18 – 28, 2019

Theater poster for Bunin/Berberova: In Paris / The Waiter and the Slut
Theater poster for Bunin/Berberova: In Paris / The Waiter and the Slut / Image courtesy of The Russian Arts Theater & Studio

This summer, The Russian Arts Theater and Studio presents two gripping love stories by Russian émigré writers: Nobel Prize winner Ivan Bunin and the provocative Nina Berberova.

Driven to exile following the revolution, former Russian aristocrats now find themselves isolated as new immigrants in Paris. Their new lives are spent battling sickness, searching for affordable apartments and waiting in pawn shops. Ivan Bunin’s In Paris tells the brief and bittersweet story about the encounter of an ex-general of the old imperial army and Olga Alexandrovna, a young woman now working as a waitress in a Russian restaurant. Upon a chance meeting, they momentarily find a sense of home in each other’s arms. In Nina Berberova’s raw and searing The Waiter And The Slut, Tania, the daughter of a St. Petersburg big-shot, now finds herself in Paris, where her husband dies in a mental hospital and she is reduced to surviving on meals paid for by male admirers. As she ages, her admirers grow more grotesque, and she soon finds herself trapped in a devastating affair with a waiter—a man she soon grows to hate.

Directed by Aleksey Burago, the company’s artistic director, with the set design by Natalia Danilova, the production skillfully incorporates Edith Piaf’s songs and vintage film rolls and photographs of Paris in the 1930s to set the mood for a seemingly simple yet deeply disturbing tales. The choice of contrasting colors for the stage decor, airy and light for In Paris and gloomy and dark for The Waiter and the Slut, accentuates the pain and desperation. The nuanced read of Berberova’s prose by the director leaves aside the extreme misery of the characters’ situation which could make an opening for another play. Genuine acting by the cast of Roman Freud, Luisa Menzen, Tom Schubert, and Di Zhu keeps the spectators on edge and delivers a terrific theater night for every theater and literature lover!

Directed by Aleksey Burago

Based on the short stories of Ivan Bunin and Nina Berberova; performed in English

Adapted by Fred Pezzulli

Set Design by Natalia Danilova

Featuring: Roman Freud, Luisa Menzen, Tom Schubert & Di Zhu

 

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Dates: December 18 – 28, 2019

Venue: Pushkin Hall, 165 W 86th St, New York, NY 10024

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Beyond NYC: Romantic Sonatas for Piano and Cello at Bronxville Women’s Club

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Beyond NYC: Romantic Sonatas for Piano and Cello at Bronxville Women’s Club

Bronxville Women’s Club continues its Midland Music Series with an evening of Romantic Sonatas by Chopin and Frank performed by Robert Burkhart, cello, Oxana Mikhailoff, piano, Vassily Primakov, piano on Saturday, January 4, 2020 at 7 pm

This concert is presented in collaboration with ARTS-NY

Robert Burkhart, cello, Vassily Primakov, piano, Oxana Mikhailoff, piano
Robert Burkhart, cello, Vassily Primakov, piano, Oxana Mikhailoff, piano

With every event, Midland Music Series takes music lovers one notch up in the understanding and appreciation of serious classical music. The 2020 year will be no exception. The year starts with a program of big Romantic Sonatas for cello and piano by Chopin and Frank.

Remembered for his introspective performance in the previous season, Robert Burkhart returns to Bronxville Women’s Club to play the cello with the remarkable pianists Oxana Mikhailoff and Vassily Primakov.

Cellist Robert Burkhart brings an “adventurous” spirit by committing to the existing cello repertoire and new music. With performance credits at Alice Tully Hall, Bargemusic, Carnegie Weill Recital Hall, Merkin Hall, and The Rose Studio at Chamber Music Society of Lincoln Center, Robert has also appeared as a soloist throughout Japan as a member of the New York Symphonic Ensemble, and been featured in recital on WQXR’s “Young Artist Showcase.”

The pianists of high-acclaim, Mikhailoff and Primakov are well regarded by the critics and the public. American Record Guide compares Primakov’s playing to Gilels’ noting that since “Gilels, how many pianists have the right touch?” Mikhailoff is well-known for her poetic and sensitive style, essential for playing Chopin’s music.

 

Program

Chopin Sonata for Cello and Piano op. 65 in G Minor; Robert Burkhart, cello and Oxana MIkhailoff, piano

Frank Sonata for Cello and Piano ( Violin and Piano) in A Major; Robert Burkhart, cello and Vassily Primakov, piano

The concert on Saturday, January 4, 2020 promises to be an unforgettable night of music and fun! Join the musicians in the charming setting of the Bronxville Women’s Club. Bring your friends and family for the joy of music and wine!

Plan ahead and reserve online for tickets at $10 off     BUY TICKETS

Online prices: $22; $25 – $30

At the door prices: $35 – $40

 

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Theater in NYC: Fiddler on the Roof in Yiddish at Stage 42

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Theater in NYC: Fiddler on the Roof in Yiddish at Stage 42

The best musical revival in every aspect, this dynamic production is a must see in New York City this year; playing until January 2020

The company of Fiddler on the Roof in Yiddish
The company of Fiddler on the Roof in Yiddish (c); photo Matthew Murphy

The National Yiddish Theater Folksbiene’s production of Fiddler on the Roof performed in Yiddish reconnects the spectators with the past and reminds them about eternal tensions between new ideas and the traditional ways of life.  Joel Grey’s production was initially-planned for a 6 week run at the Museum of Jewish Heritage in downtown Manhattan in the summer of 2018. This production experienced the sort of miracle akin to the Hanukkah oil lasting much longer than intended. After the original run was extended three times till the end of 2018, the musical was brought to commercial production at the Stage 42 Off-Broadway theater on February 2019. It is now scheduled to run until January 2020.

Jerry Bock’s familiar music combined with the genuine acting by the cast led by affable Steven Skybell as Tevye, Jennifer Babiak as Tevye’s unswerving wife Golde, Jackie Hoffman as a meddlesome matchmaker Yente, and a superb orchestral accompaniment recreate the life in Anatevke in the early 20th century Russian Empire.

Perhaps, because of the universally well-known songs and the engaging acting, one only realizes that the play is performed in Yiddish, the language spoken in poor shtetls of nowadays Ukraine, when the story is already in full swing. With the helpful subtitles in both English and Russian, everything quickly falls into place. The actors’ energy immediately takes the audience in, so that they become one close community sharing its collective heritage. Without trying to keep the emotions hidden, the audience celebrates, questions, and fights with Tevye, his family, and his neighbors. It is a rare gift of unity worth taking part in. Come see the company of The National Yiddish Theater Folsbiene recreating the timeless story of love, traditions, and change. Click below for tickets at 62% off starting from $45. 

 

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Opera in NYC: The Queen of Spades at The MetOpera

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Opera in NYC: The Queen of Spades at The MetOpera

Pyotr Ilyich Tchaikovsky’s opera about the vices of gambling and greed is performed at The MetOpera by the impressive international cast

Larissa Diadkova as the Countess, Lise Davidsen as Lisa, Yusif Eyvazov as Hermann, and Igor Golovatenko as Prince Yeletsky in Tchaikovsky's "The Queen of Spades" at the MetOpera
Larissa Diadkova as the Countess, Lise Davidsen as Lisa, Yusif Eyvazov as Hermann, and Igor Golovatenko as Prince Yeletsky in Tchaikovsky’s “The Queen of Spades.” Photo: Ken Howard / Met Opera

Mysterious and alluring, the Imperial Russia of Catherine the Great’s time takes the stage of the Met Opera this December. The critics call The Quees of Spades, a masterpiece created by Pyotr Tchaikovsky, the highlight of the season so far. The splendid and imperially rich set and costume design by Mark Thompson recreates the times of extreme fashion, endless balls, and futile gambling and drinking nights. Premiered in 1995, Elijah Moshinsky’s production of The Queen of Spades is also memorable to the opera fans for Dmitriy Hvorostovky’s debut at the Met Opera.

This year’s production features a superb cast of international stars with a radiant soprano Lise Davidsen as Lisa, an expressive tenor Yusif Eyoavazov as Hermann, impeccable baritones Igor Golovanenko and Aleksey Markov as  Tomsk and Yeletsky, and a moody mezzo-soprano Larisa Diadkova as the countess. The conductor Vasily Petrenko makes his debut on the Met stage and takes full control of the splendid music score, leading the musicians in perfect alignment with the singing and acting.

Alexey Markov as Count Tomsky in Tchaikovsky's "The Queen of Spades."
Alexey Markov as Count Tomsky in Tchaikovsky’s “The Queen of Spades.” Photo: Ken Howard / Met Opera

Davidsen’s stormy entry into the opera world can only be fully appreciated when her powerful performance is observed on stage. With an understatement so suitable for Lisa, a young Russian lady of modest means, Davidsen uses her vocal strength to deliver the angst and desperation because of her lover’s betrayal in the name of material possessions. The colorful and exquisitely designed chorus scenes contrast with the gloomy mood and greedy aspirations of the high society. But the gorgeous music and the impressive signing save the day to the elation of the audience.

The opera is sung in Russian with subtitles; run time 3 hours and 35 minutes with one intermission. Performances are from December 5 – 21, 2019. 

Click for tickets at 20% off                 BUY TICKETS

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