Art in NYC: Anselm Kiefer at Gagosian Gallery on West 21 Street

Art in NYC: Anselm Kiefer at Gagosian Gallery on West 21 Street

Transition from Cool to Warm

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
Anselm Kiefer Les extases féminines (The Feminine Ecstasies), 2013 Watercolor on paper 65 3/4 × 60 5/8 inches (167 × 154 cm) © Anselm Kiefer. Photo © Georges Poncet. Courtesy Gagosian

Anselm Kiefer is known for digging deep into historical consciousness and renewal for people and land devastated by war and destruction. His usually large-scale, heavy paintings done in multiplayer of media are well-recognized precisely for portraying the secrets of the forgotten landscapes with metal or concrete chunks looking menacingly in your face. With the exhibition at Gagosian gallery , which in addition to the paintings includes a collection of watercolors showing women, flowers and their erotic interplay, the author moves closer to the stage of rebirth.

Being born in Germany two month before the end of Wold War II, Kiefer’s oeuvre confronts Germany’s dark past and the horrors of Holocaust. Another very distinguished element of his work is an intermix of various forms of artistic expression. As such, in his earlier works he used a reference to Romanian Jewish writer Paul Celan‘s poem “Todesfuge” (“Death Fugue”). And later he created a series of tributes to futuristic Russian poet Velimir Khlebnikov. His latest works are full of Wagnerian references. Last year exhibition at the White Cube Bermondsey gallery in London titled Walhalla had an explicit theme of final destruction. Some pieces looked like “a set for Wagner’s Götterdämmerung” in the words of The Guardian review by Jonathan Jones.

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
Anselm Kiefer Ignis sacer, 2016 Oil, acrylic, and emulsion on canvas 110 1/4 × 149 5/8 × 3 5/8 inches (280 × 380 × 9 cm) © Anselm Kiefer. Photo © Georges Poncet. Courtesy Gagosian

This conversation between literature and art continues at Gagosian gallery with a collection of more than forty artist created books exhibited in glass cases. The gallery stresses the importance of these books to author’s body of work as they carry “the sequences of narrative information and visual effect”. The viewers are free to make up the rest of the storyline using their personal experience and interpretation of cues on the pages. This is not the first time in his career that the author turns to the watercolors. In fact, the title of the exhibition refers to his celebrated book from mid-70s full of sea-blues,warms and nudes.

Kiefer is often likened to Rodin in the depiction of emotions invoking historical dilemmas and human relationships. As this year the world celebrates a centennial of Rodin death, Rodin Museum in Paris and Barnes Foundation have Kiefer Rodin exhibition ongoing. It will be on view at Rodin Museum in Paris until October 22, 2017 then move to the Barnes Foundation in Philadelphia, PA from November 17, 2017 – March 12, 2018.

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
“Anselm Kiefer: Transition from Cool to Warm”
Installation view © Anselm Kiefer. Photography by Rob McKeever. Courtesy Gagosian

In November Anselm Kiefer will receive J. Paul Getty Medal. Getty Board of Trustees explained to Artnews that the medal recognizes Kiefer’s engagement “in big ideas and historic moments, and sharing with the Getty a passionate commitment to global culture.”

 

 

 

 

 

 

Venue: Gagosian Gallery 522 West 21st Street, New York, NY                     Time: May 5 – September 1, 2017

Art in NYC: Photography by Michel Houellebecq at VENUS Over Manhattan Gallery

Art in NYC: Photography by Michel Houellebecq at VENUS Over Manhattan Gallery

French Bashing: First New York exhibition of photographs, photomontages and more by French writer Michel Houellebecq

Michel Houellebecq
France #014, 2016; courtesy VENUS New York

Michel Houellebecq is undoubtedly the most talked about french writer. However his artistic oeuvre is not limited to a written word. He is also well known for his photography and film making. The exhibition of the photographs and photomontages at VENUS Manhattan gallery is the first such show for Houellebecq in the US.

The installation at VENUS under a title “French Bashing” is heavily influenced by the writer’s world view depicted in his novels. For VENUS the works were selected from the last year expose “Rester Vivant” at the Palais de Tokyo in Paris. Le Figaro review notes that “French Bashing” makes it a logical follow-up to “Rester Vivant”.

Art in NYC: Photography by Michel Houellebecq at VENUS Over Manhattan Galle
Michel Houellebecq
France #035, 2016; courtesy VENUS New York

The exhibition has 2 very distinct parts united by author’s sense of inescapable decline of european way of life and a drift towards banality and mass-commercialization. The expensive urban developments viewed via a prism of neglect and decay make moody and depressive impression. The most characteristic work is a picture of the EUROPE sign near Calais. The letters made in concrete have crumbled from the accelerated speed of changes. This could be the suggested theme for the first part of the exhibition. To compete an eerie impression it is installed in a dark-walled room with a soundtrack composed for the show in collaboration with Raphael Sohier.

The second room is too bright and too loud with kitschy images of the standard tourist attractions made for the unattached crowds. The lighting and the soundtrack are all coordinated to bring in a typical glitz of mass-entertainment.

Art in NYC: Photography by Michel Houellebecq at VENUS Over Manhattan Gallery
Michel Houellebecq
Espagne #008, 2016; courtesy VENUS New York

Overall the exhibition is very much in line with Houellebecq’s novels. In fact the author is known to look at his photographs when constructing the characters for his books. In an interview with L.Collins for The New Yorker, Houellebecq explains that he doesn’t “take pictures of human beings” preferring “literature for describing a human being”. And he doesn’t “do much description of the landscape” in his books, because he “finds that a photo is better.”

Now the public has a chance to see what the writer sees when working on his novels and make a better connection to his work.

 

 

Venue: 980 Madison Avenue, New York, NY 10075                             Dates: June 2 – August 4, 2017

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017

Cindy Sherman: Once Upon a Time, 1981 – 2011

Art event in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Centerfolds series

As the title of this exhibition suggests, there is a tale behind each picture. The collection the photographs by the greatest portrait artist of our time on view at Mnuchin Gallery presents the works from three distinct periods in chronological order. In each of her works Sherman as always plays a dual role of the sole subject and the artist. In the words of R. Smith from the New York Times review of Cindy Sherman’s retrospective at MoMA in 2012, the artist can be seen as “consummate manipulator of space, scale, color and pattern textiles”.

The earliest images on view this time at Mnuchin Gallery are from Centerfolds series that had brought Sherman to fame in 1981. The theme of these pictures is in capturing pensive moments positioning the image of young woman as an erotic close up similar to what can be found in mens’ magazines.

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Historical Portraits series

The History Portraits series , created from 1988 to 1990,  are staged images from the past. From afar they can be taken for the paintings belonging to the Renaissance or Neoclassical  periods hang at a provincial museum.  Sherman transforms herself into historical sitters, females and males, using elaborate props, costumes and framing.

The last period in the exhibition is from the Society Portraits series made from 2008. It tells the sorry tale of a desperate search of eternal youth so celebrated by today’s popular culture yet hard to shake off. Posed as society dames of our time, Sherman portraits mix the glamour with the excess of effort set against the backdrop of grand sites of  New York City. The New Yorker points to the fact that this exhibition at Mnuchin Gallery is spot on in terms of its location where the subjects of the Society Portraits “look right at home on the Upper East Side, amid the ladies who lunch”.

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Society Portraits series

 

 

Venue: Mnuhcin Gallery, 45 East 78 Street, NY               

Hours: Tuesday-Saturday, 10am – 6pm 

Dates: till June 10, 2017

 

April – August, 2017 Art Event in NYC – Doug Wheeler: PSAD Synthetic Desert III at Guggenheim Museum

April – August, 2017 Art Event in NYC – Doug Wheeler: PSAD Synthetic Desert III at Guggenheim Museum

April - August, 2017 Art Event in NYC - Doug Wheeler: PSAD Synthetic Desert III at Guggenheim Museum

“The Solomon R. Guggenheim Museum presents the first-ever realized work from a group of installations conceived by Doug Wheeler during the late 1960s and ’70s: Doug Wheeler: PSAD Synthetic Desert III. Produced in close collaboration with the artist, the Guggenheim installation is developed from drawings executed in 1968 and will be on view in the museum’s Tower Level 7. In […]

via Doug Wheeler: PSAD Synthetic Desert III at Solomon R. Guggenheim Museum, through August 2, 2017 — Arts Summary

The installation recreates the experience of the desert with its stillness and near silence to synthesize “lunar space”.  To reach that state the gallery has controlled optics and sound environment with Wheeler’s large abstract paintings of infinite geometric forms in hermetically closed gallery. That way the visitor can experience the cosmic infinity of space.

Doug Wheeler is associated with the Light and Space art movement  popular on the West Coast in the 60s.

The installation is best experienced with as little distraction as possible, so it requires a timed ticket. You can reserve it here. 

Venue: Solomon R. Guggenheim Museum, NY                            Time: Though August, 2, 2017