Beyond NYC: Jason Vieaux, Guitar with Julien Labro, Bandoneon and Orchestra of St. Luke’s at Caramoor at Katonah, NY

Beyond NYC: Jason Vieaux, Guitar with Julien Labro, Bandoneon and Orchestra of St. Luke’s at Caramoor at Katonah, NY

Vivaldi’s Four Seasons and Piazzolla on July 16, 2017

Jason Vieaux, Guitar with Julien Labro, Bandoneon and Orchestra of St. Luke's at Caramoor at Katonah, NY
Jason Vieaux, photo by Tyler Boye; image source jasonvieaux.com

With a program of chamber music heavily influenced by the genius of Vivaldi, this concert on July Sunday afternoon is promising to be a meditation on the past with classical guitar, bandoneon, violin and a chamber orchestra serenading the summer.

Jason Vieaux, a winner of 2015 Grammy Award for Best Instrumental Solo, is returning to Caramoor with Julien Labro on bandoneon and Krista Benin Fenney on violin. Vieaux’s impeccable technique and musicality “makes the guitar sing” in the words of Tom Huizenga, NPR host. From the beginning of Vieaux’s engagement with the NPR’s Tiny Desk Concert series when he was young-artist-in-residence, his mastery have flourished adding on a diverse sound palette of West-African rhythms, Argentinian tangos and classical preludes. On his return to the Tiny Desk Concert studio as a renown international musician seven years later, his music had transformed the studio into “a quiet, jasmine-scented garden in Andalusia” as described by Huizenga.

Jason Vieaux, Guitar with Julien Labro, Bandoneon and Orchestra of St. Luke's at Caramoor at Katonah, NY
Julien Labro photo by Anna Webber / image source julienlabro.com

Julien Labro is a well-known accordionist whose music blends folk and classical melodies into an eclectic and rich mix. In the course of his career Labro’s main influence was the music of an Argentinian composer Astor Piazzolla. According to Labro’s autobiography, Piazzolla was the reason for Labro to pick up a bandoneon. Sharing this affection, Vieaux and Labro had already recorded 7 albums on the music by Piazzolla with the most recent one Infusion by Azica produced in 2016.

The combination of top quality music performance and spectacular Caramoor gardens and grounds makes it an ideal place for a summer night out. At Caramoor the visitors can enjoy architecture, history, art, horticulture and music all in one place. Arrive early to have a chance to explore them all.

Click here to book your tickets.

Venue: Caramoor Center for Music and Arts, Katonah, NY                                       Date: July 16, 4pm

Lincoln Center’s Mostly Mozart Festival: Don Giovanni by Budapest Festival Orchestra

Lincoln Center’s Mostly Mozart Festival: Don Giovanni by Budapest Festival Orchestra

Ivan Fischer, conductor and director 

Lincoln Center's Mostly Mozart Festival: Don Giovanni by Budapest Festival Orchestra
Don Giovanni by Max Slevogt, 1912

This year Mostly Mozart Festival at Lincoln Center brings back to New York a fascinating production of opera Don Giovanni. The performance will take place at the Rose Theater at the Jazz at Lincoln Center Frederick P. Rose Hall.

Mozart wrote this opera to a libretto by Lorenzo Da Ponte which was based on the legend about Don Juan, a philanderer and seducer. Premiered at the National Theater of Bohemia in Prague in 1787, it was billed by Mozart himself as opera buffa. However, this particular rendition of the story is much more a tragedy and a learning lesson than a comedy or a melodrama.

Ivan Fischer, co-founder and conductor of Budapest Festival Orchestra, was also directing the production. In an interview  by NPR in anticipation of the opening in 2011, Fischer points out that this dual role as conductor and director lets him offer “much more unified experience” for the actors. The resulting accents in the story are on bringing the villain to justice. The costume, stage design and casting of the students of Bucharest Acting Academy in the supporting ensemble are both innovative and highly appropriate. Instead of a singing statue, the actors costumes are designed to resemble the stones serving as both the silent elements of the design and the embodiment of the fate and consequence that gets a final say. The New York Times review of the performance back in 2011 highlights the “climactic moment staged to such haunting effect” under Fischer’s direction.

Venue: Rose Theater at Jazz at Lincoln Center, 10 Columbus Circle, NY                               Dates: August 17, 19, 20

Beyond NY: “Brodsky/Baryshnikov” at Apollo Theater, London, UK

Beyond NY: “Brodsky/Baryshnikov” at Apollo Theater, London, UK

Beyond NY: "Brodsky/Baryshnikov" at Apollo, London, UK
J.Brodsky, M.Baryshnikov / image source – londontheaterdirect.com

This 90 min one-man show, directed by Alvis Hermanis, is a delicate theatrical staging of complex poetry by Josef Brodsky. The selected poetry is moody and at times disturbing. And so is the acting by Mikhail Baryshnikov, an acclaimed dancer and actor, and a close friend of J. Brodsky. In the FT  “Poetry and Motion” article Baryshnikov refers to Brodsky as “his university”.

Baryshnikov opens his heart and soul in performing Brodsky’s in a rather subdued and melancholic setting. Hermanis’s production skillfully uses contrast between the simplicity of the stage set and the depth of the material to amplify the effect.  The verses, the graceful movements and sounds are full of inevitability of the passing time. The beauty of this performance is in its ability to tie together the convoluted world of Brodsky’s poetry with Baryshnikov’s elegant reading and acting. The show was performed in NYC at the BAC in March 2016 and reviewed in the New York Times.

 

For bookings go  here

 

Venue: Apollo Theater, London, UK                 Dates: May 3 – 5, 2017 

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017

Cindy Sherman: Once Upon a Time, 1981 – 2011

Art event in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Centerfolds series

As the title of this exhibition suggests, there is a tale behind each picture. The collection the photographs by the greatest portrait artist of our time on view at Mnuchin Gallery presents the works from three distinct periods in chronological order. In each of her works Sherman as always plays a dual role of the sole subject and the artist. In the words of R. Smith from the New York Times review of Cindy Sherman’s retrospective at MoMA in 2012, the artist can be seen as “consummate manipulator of space, scale, color and pattern textiles”.

The earliest images on view this time at Mnuchin Gallery are from Centerfolds series that had brought Sherman to fame in 1981. The theme of these pictures is in capturing pensive moments positioning the image of young woman as an erotic close up similar to what can be found in mens’ magazines.

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Historical Portraits series

The History Portraits series , created from 1988 to 1990,  are staged images from the past. From afar they can be taken for the paintings belonging to the Renaissance or Neoclassical  periods hang at a provincial museum.  Sherman transforms herself into historical sitters, females and males, using elaborate props, costumes and framing.

The last period in the exhibition is from the Society Portraits series made from 2008. It tells the sorry tale of a desperate search of eternal youth so celebrated by today’s popular culture yet hard to shake off. Posed as society dames of our time, Sherman portraits mix the glamour with the excess of effort set against the backdrop of grand sites of  New York City. The New Yorker points to the fact that this exhibition at Mnuchin Gallery is spot on in terms of its location where the subjects of the Society Portraits “look right at home on the Upper East Side, amid the ladies who lunch”.

Art in NYC: Cindy Sherman at Mnuchin Gallery till June 10, 2017
From Society Portraits series

 

 

Venue: Mnuhcin Gallery, 45 East 78 Street, NY               

Hours: Tuesday-Saturday, 10am – 6pm 

Dates: till June 10, 2017