Music in NYC: New York Philharmonic with Leif Ove Andsnes in a program of Rachmaninoff, Sibelius, Salonen

Music in NYC: New York Philharmonic with Leif Ove Andsnes in a program of Rachmaninoff, Sibelius, Salonen

Music in NYC New York Philharmonic with Leif Ove Andsnes Rachmaninoff Sibelius Salonen
Leif Ove Andsnes. Photo credit: Oezguer Albayrak / Image courtesy of New York Philharmonic

New York Premiere of Esa-Pekka Salonen Gambit followed by Rachmaninoff and Sibelius in October, 2017

The upcoming 2017-2018 New York Philharmonic season presents a carefully selected list of the masters ready to deliver the best in classical music experience. One of them is a Norwegian pianist Leif Ove Andsnes . Audiences around the world are very familiar with the measured and exact style of Andsnes. This season he is named The Mary and James G. Wallach Artist-in-Residence by the New York Philharmonic with three concerto appearances and a recital in his only New York performances.

Andsnes début on the New York Philharmonic stage took place in 1997 followed by 28 appearances. His concert tours over the 2016-2017 season had won him much recognition and acclaim. He had successfully collaborated with another world renowned pianist Marc-Andre Hamelin giving Two Pianos recitals featuring Stravinsky’s “The Rite of Spring”, as well as the music of Mozart and DebussyAnthony Tommasini of the New York Times had noted “a fearless, incisive and surprisingly alluring account of this “original” version of the “Rite” at the Two Pianos recital at Carnegie Hall last April.

Music in NYC New York Philharmonic with Leif Ove Andsnes Rachmaninoff Sibelius Salonen
Paavo Jarvi, Photo credit: Jean Christophe Uhl / Image courtesy of New York Philharmonic

Andsnes is also well-known for his recordings particularly for his exploration of Beethoven’s works which he calls the Beethoven Journey. He dedicated four years to complete the recordings of Beethoven five concertos with Mahler Chamber Orchestra. The recordings were released in installments by Sony Classical and the series was named one of The New York Times’s Best of 2014, iTunes’s Best Instrumental Album of 2012, and BBC Music Magazine’s 2015 Recording of the Year.

The program for Andsnes first appearance with the New York Philharmonic this season under Paavo Jarvi conducting will include New York premiere of Esa-Pekka Salonen Gambit, Rachmaninoff’s Piano Concerto No. 4 and Sibelius’s Symphony No. 5.

The program of majestic music by Rachmaninoff and Sibelius combined with the highly anticipated premiere of Salonen’s piece will surely be a delight the concert-goers.

Book your tickets here.

Venue: David Geffen Hall, Lincoln Center, NY

Dates and Times: 

Thursday, October 12, 2017, 7:30 pm

Friday, October 13, 2017, 11:00 am

Saturday, October 14, 2017, 8:00 pm

Tuesday, October 17, 2017, 7:30 pm

Jazz in NYC: Norah Jones at Le Poisson Rouge in September, 2017

Jazz in NYC: Norah Jones at Le Poisson Rouge in September, 2017

Norah Jones with Brian Blade & Chris Thomas at LPG on September 10-14, 2017

Jazz in NYC Norah Jones at Le Poisson Rouge in September 2017
Norah Jones performs in 2010
Photo Credit: Larry Philpot,

Norah Jones will perform in the informal and cozy settings of (Le) Poisson Rouge in Greenwich Village, NYC on September 10-14, 2017. Her presence on the global music scene had been established overnight after she won 5 Grammys for the album “Come away with me” released in 2002 by the Blue Note Records label. In all she is a 9 times Grammy award winner.

Jones delicate singing is rightfully falling into jazz fusion category for her mixing of jazz, country and intelligent pop. The FT review of her performance at 2016 London Jazz Festival at the London Palladium points out that “her success in selling nearly 50m records over her career has been in spite of prevailing trends”. This falling in between of the pre-defined musical genres makes Jones style so distinct and precious to those looking for new sounds.

Jones grew up in Grapevine, Texas. Born to a family of American concert producer Sue Jones and Indian sitar maestro Pandit Ravi Shankar, she was singing in church and taking piano lessons from yearly on in her life. The music of such jazz masters as Billie Holiday and Bill Evans had particularly strong influence on her. So it was not a coincidence that she had graduated from University of North Texas majoring in jazz piano.

In the years that followed the release of “Come away with me”, she deviated from jazz into country and soul music accompanying herself on guitar. Her returning to jazz for the 2014 Newport Jazz festival on Rhode Island was very well received by the fans with tickets sales topping the charts.

Her latest album “Day Breaks” released in 2016 features Jones firmly following her jazz and piano roots. For this project she has teamed up with such prominent musicians as the saxophonist Wayne Shorter and the bassist John Patitucci. In the words of the New York Times review of her 2016 tours and album release “rather than making some sort of prodigal return, she was accessing her musical core”.

The performance at (Le) Poisson Rouge will be a delight for the music fans!

Book your tickets on Le Poisson Rouge website.

You can find more information about Norah Jones and her upcoming tours here.

Venue: (Le) Poisson Rouge, 158 Bleecker Street, NY                                     Dates: September 10-14, 2017

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM in Brooklyn, NY

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM in Brooklyn, NY

Historic double bill of Café Müller/The Rite of Spring on September 14-24, 2017

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
Pina Bausch, Photo Credit: J. Paolo Pimenta / Image courtesy of BAM

This year Tanztheater Wuppertal Pina Bausch brings to New York two extraordinary ballets Cafe Muller set to the music of Henry Purcell and Igor Stravinsky’s The Rite of Spring.  The psychological complexity conveyed by the Bausch’s powerful choreography will without doubt touch the souls of everyone from the dance aficionados to the novices to the art of ballet. The performances are part of the Next Wave Festival at BAM which will run from  September 14 till December 16, 2017.

Pina Bausch and her theater Tanztheater Wuppertal had made a New York debut in 1984 and became highly anticipated guests on NY dance scene from that time on.

Bausch formal dance education started when at the age of 15 she was accepted to Folkgangschule of North Rhine-Westphalia, Germany to study under the direction of Kurt Jooss, a pioneer of dance-theater genre who connected the ballet with the theatrical drama. After graduating the Folkgangschule, Bausch studied at Juilliard School in New York in the early 60s and was part of the New York Ballet, Paul Taylor company and other groups. Returning to Germany in late 60s to continue her work with Jooss, she choreographed her first ballet Frangmente to the music of Bartok in 1968.

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
From The Rite of Spring, Photo Credit:Ludovico Bastianini / Image courtesy of BAM

Assuming the role of artistic director for the Wuppertal Opera ballet in 1973, she continued to produce new ballets thus developing the style of tanztheater.

For the performances at BAM, Tanztheater Wuppertal will perform Cafe Muller and The Rite of Spring. Cafe Muller (1978) likely includes autobiographical elements, as Bausch family had also owned a café where Pina, still a child, had made her first dance performances entertaining the guests. In the ballet, the dancers make sleepwalking movements in a dark, deserted café interior acting out a tale about human emotions which are flaring up under the covers of night. Or it could be child’s interpretation of the complex and scary world of the grownups. The Guardian review of the piece for its 2008 performance at Sadler’s Wells, London,  notes that the characters are “trapped in an existential tape loop, they endlessly reprise their actions and interactions.” Amplifying the effect are the arias by Henry Purcell mixed with the moments of silence.  The repetitive movements seem to suggest that the characters are about to break themselves free but in the end are unable to do so.

Dance in NY: Pina Bausch Tanztheater Wuppertal at BAM Brooklyn NY
From The Rite of Spring, Photo Credit:Oliver Look / Image courtesy of BAM

The second part of the bill is The Rite of Spring (1975)  to the powerful score of Igor Stravinsky. In Bausch’s take of this ballet, which was originally written for Ballet Russes and choreographed by Vaslav Nijinsky, it at times seems that the dancers’  movements are making the music itself so close the choreography is in following the score. For this piece the stage is covered with dirt which plays a part in the performance. It is a character in the storyline along with the tribe and its rituals. The powerful and muscular movements of the male group are accentuated by the sensual and gentle actions of the female performers. This contrast between the sexes leads up to an emotional rite of the sacrificial selection by the tribe and its triumph over the individual expression and freedom. The ballet is so powerful that at time it feels like the composer and the choreographer were literally working together. Time is powerless to separate the geniuses of the music and choreography creators.

Book your tickets here.

Venue: Peter Jay Sharp Theater, 30 Lafayette Avenue, Brooklyn, NY        Time: September 14 – 24, 2017