Music in NYC: Schubert Quintet at Aspect Chamber Concert

Music in NYC: Schubert Quintet at Aspect Chamber Concert

The ASPECT Chamber Music Series opens its 2019-2020 season of classical music performances and illustrated talks with Schubert Quintet on Wednesday, October 23, 2019 at 7:30 pm at the Italian Academy of Columbia University.

The concert features the Formosa Quartet and cellist Peter Wiley in Schubert’s String Quintet 

Franz Schubert; Formosa Quartet; cellist Peter Wiley
Franz Schubert by W. A. Rieder (1875); Formosa Quartet, photo by Sam Zauscher; cellist Peter Wiley

Composed in the last year of composer’s short life, Schubert’s String Quintet is recognized as one of the finest compositions in the composer oeuvre. By adding a second cello to the string quartet, Schubert was able to exploit dark and mellow sounds. The result is surely the most poignant of all his chamber works – one in which light and shade, drama and serenity are presented in constant alternation.

Composer, writer, and producer Misha Donat presents an illustrated talk about the music composed by Schubert in his last year. The concert features the Formosa Quartet and cellist Peter Wiley.

Schubert Quintet performance on Wednesday, October 23, 2019 at 7.30 pm opens the 2019-2020 Aspect Chamber Music Series season of enlightening concerts and talks.

Program

Schubert — String Quintet in C Major, D956; Formosa Quartet with Peter Wiley, cello

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Music in NYC: Pavel Nersessian, Piano and Katrin Bulke, Soprano in GetClassical Recital

Music in NYC: Pavel Nersessian, Piano and Katrin Bulke, Soprano in GetClassical Recital

GetClassical and the Foundation For The Revival Of Classical Culture in collaboration with St. John’s in the Village open their inaugural season with a program of Mozart, Schubert, Bellini, and Verdi performed by Pavel Nersessian, piano, and Katrin Bulke, soprano; on Sat. Sept. 21 at 7.30 pm

Pavel Nersessian, piano and Katrin Bulke, soprano
Pavel Nersessian, piano and Katrin Bulke, soprano / Image courtesy of the musicians

A very special selection of songs and arias by Mozart, Schubert, Bellini, and Verdi opens a new classical music series organized by GetClassical in School. Pavel Nersessian, a Russian piano master recognized for the lyrical breadth and elegance of style, is teaming up with a German soprano Katrin Bulke for an evening of gorgeous music.

Inspired by the success of Rhapsody in School, a popular program that introduces classical music and musicians to school students in Germany, GetClassical in School aims to share the joy and spark the love of classical music amongst school children in New York City. To do that, the musicians participating in the program are visiting city classrooms bringing with them the gift of classical music to students. The initiative is supported by the Foundation For The Revival of Classical Culture, Naxos of America, Inc., among other organizations.

The season-opening recital takes place at St.John’s in the Village on Saturday, September 21, 2019 at 7.30 pm.

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Beyond NYC: Piano Recital by Daniil Trifonov at Caramoor in Katonah, NY

Beyond NYC: Piano Recital by Daniil Trifonov at Caramoor in Katonah, NY

Virtuoso pianist Daniil Trifonov returns to Caramoor with a solo recital program of Beethoven, Schumann, and Prokofiev on Friday, July 26, 2019 at 8 pm

Pianist Daniil Trifonov
Daniil Trifonov; photo by Dario Acosta

Grammy Award-winning Russian pianist Daniil Trifonov is well known to classical music lovers around the world. His appearances at the major concert halls are always highly anticipated events commanding sold-out houses. Winner of Gramophone’s 2016 Artist of the Year award, Trifinov has made a spectacular entrance to the classical music scene as a solo artist and a high caliber champion of the concerto repertoire.

Recognized for the dazzling technique and stunning sensitivity which earned him well-deserved celebrity status, the 28-year old pianist is still exploring new artistic expressions. Notorious for his emotional interpretation of the works by Chopin and Rachmaninoff, this season he takes on the scores by Beethoven, Schumann, and Prokofiev. The June 2019 performance of this program at the Barbican in London received rave reviews from the music critics and the public. The Guardian points out that Trifonov keeps “revealing new aspects of his artistry.”  Expect to be dazzled once again at his Caramoor recital on July 26!

 

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Program

Beethoven Andante in F Major, WoO 57 (“Andante favori”)
Beethoven Piano Sonata No. 18 in E-flat Major, Op. 31, No. 3
Schumann Bunte Blätter, Op. 99
Schumann Presto passionato, WoO 5
Prokofiev Piano Sonata No. 8 in B-flat Major, Op. 84

 

 

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Theater in NYC: Hans Christian Andersen – Tales Real & Imagined

Theater in NYC: Hans Christian Andersen – Tales Real & Imagined

A play about the life of the beloved author of fairy-tales Hans Christian Andersen opens at The Duke on 42nd Street from May 5 – May 25, 2019

Jimmy Ray Bennett in the title role of HANS CHRISTIAN ANDERSEN: TALES REAL & IMAGINED by Ensemble for the Romantic Century
Jimmy Ray Bennett as HANS CHRISTIAN ANDERSEN: TALES REAL & IMAGINED by Ensemble for the Romantic Century; Photo credit: Shirin Tinati

The Ensemble for the Romantic Century tells a story about Andersen’s life by weaving in Andersen’s autobiographical writings, his fairy tales, and the emotionally deep musical scores by Britten, Purcell, Part, Stravinsky, and Barber. The production about the beloved children’s book writer is much more serious and deep than the name suggests. It runs at The Duke on 42nd Street from May 5 – May 25, 2019.

The artistic directors of the Hans Christian Andersen: Tales Real & Imagined use the genre of theatrical concert, combining theater, classical music repertoire, voice, and puppets. Accompanied by highly sensual music, Eve Wolf’s script tells the touching story of Andersen’s life by intertwining biographical details with references to the characters from his famous fairy tales. The scores by Purcell, Britten, Arvo Part, Stravinsky, and Barber organically color the episodes of Andersen’s life in tense, poetic, and desperate hues. Performed by the outstanding pianists Max Barros and Carlos Avila, and a formidable percussionist Shiqi Zhong, the music often takes an upper hand over the rest of the production’s components.

Jimmy Ray Bennet stars as Andersen with countertenors Daniel Moody and Randall Scotting alternating as Andersen’s dearest friend Edvard Collin. They are joined on stage by the familiar puppets from The Ugly Duckling, The Princess and the Pea, The Little Mermaid, and other fairy tales. While giving a nod to Andersen’s childhood interests in the puppet theater, the puppets and the puppeteers are a tenuous addition to the show. The musicians and singers, on the other hand, save the day by making the music tell it all.

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