The Met Fifth Avenue Roof Top Garden: The Theatre of Disappearance by Adrian Villar Rojas, April 14 – October 29, 2017

Adrián Villar Rojas: The Theatre of Disappearance at The Met Fifth Avenue Roof Top Garden

On view April 14 – October 29, 2017

The Roof Top Garden of the Met Fifth Avenue Museum is hosting a fascinating exhibition titled “The Theater of Disappearance” by Argentinean artist Adrian Villar Rojas. The exhibition, which includes 16 large sculptures by Villar Rojas, is intertwined with multiple other events under the same umbrella title this year including film series at Berlin Film Festival and visual art shows in Greece, Austria and Los Angeles. This overarching theme seems timely today as our accelerated pace of life with at times endless pileup of stuff leads to its opposite, a void or disappearance.

Villar Rojas came to fame when at the age 32 he was selected to represent Argentina at the 2011 Venice Biennial. His next big engagement on the international art scene was at the Documenta 2013 and Istanbul Biennial 2015. Villa Rojas is known for making life-size sculptures from large animals caring heavy loads as at the Istanbul Biennial to the ruins of tumbled staircase at MoMA PS1 “LA INOCENCIA DE LOS ANIMALES” in 2013.

For current installation at the Met the artist used spectrometry and 3D scans of the artifacts from the Met collection mixing up the time periods, places, ideas and facts. Ideally the viewers have to visit this installation after seeing the originals on the floors below. The FT review notes that at times it seems that the artists is “undoing all of art history”. The ArtNews reports about Rojas’s laborious study of the Met Museum collection encompassing its all 17 departments as well as interviews with the staff as part of the creation process.  

The photos from Art Summary blog lets you get a taste of the exhibition:

The Met Fifth Avenue Roof Top Garden: The Theatre of Disappearance by Adrian Villar Rojas, April 14 – October 29, 2017

Photographs by Corrado Serra. Artist’s Statement The Met’s history as an institution is a testimony to America’s path as a nation. Its doors opened in 1870 with a large collection of plaster casts of sculptural masterpieces. By the mid-twentieth century, genuine artifacts had displaced the copies. Departments quickly emerged, dividing the cultural endowment into regions […]

via The Roof Garden Commission: Adrián Villar Rojas, The Theatre of Disappearance at The Met Fifth Avenue, April 14 – October 29, 2017 — Arts Summary

The Roof Top floors had to be redone with the tiles created by the artists for this installation . The particularly designed greenery were added as well as the bar. The effect of the spectacular Manhattan skyline in the background accentuates the bacchanal in the garden. Come and see it yourself.


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Venue: The Met Museum on Fifth Avenue        Time: till October 29, 2017

April – October 2017 Fall Art in NYC: CHIHULY at New York Botanical Garden

April – October 2017 Fall Art in NYC: CHIHULY at New York Botanical Garden

Open from April 22 – October 29, 2017

World-renowned glass sculpture artist Dale Chihuly returns to New York Botanical Garden with his new installation CHIHULY. The exhibition includes 20 works combining early drawings and the latest creations.

CHIHULY at New York Botanical Garden fall art

“CHIHULY, a major new exhibition at The New York Botanical Garden spotlights world-renowned artist Dale Chihuly’s bold innovation in a variety of media throughout his celebrated career. Chihuly’s first major garden exhibition in New York in more than ten years features more than 20 installations and includes drawings and early works that reveal the evolution and development of his […]

via CHIHULY at New York Botanical Garden, April 22 – October 29, 2017 — Arts Summary

Dale Chihuly’s art blends easily with the nature, so this year installation at the NYBG is not the first experiment in that regard. The New Botanical Garden gives these innovative art works a genuine environment. In an interview with the ArtNet Todd Forrest, the NYBG’s vice president for horticulture and living collections stressed that “the combination of art and nature that exemplifies Dale Chihuly’s art is something that is very close to our hearts at the New York Botanical Garden.”

Chihuly came a long way in reaching the level of expression he is presenting to the public today. After years of studies and work at the top art schools in the US, he studied glass blowing at the Venini factory on the island of Murano off Venice, Italy. There and elsewhere in Europe he was able to experiment with the techniques, colors and materials that now make integral parts of his installations.

The exhibition at the NYBG is highlighting the interplay not only between the glass creations and the nature but also between daylight and nighttime illumination. The garden will open late for the visitors to experience this magic. Check the hours here.

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In addition to the art and nature there will be summer concerts in the garden. The opening concert in the series on Friday June 16, 2017, the French Connection, is featuring vocal sensation Camille Bertault and Alphonso Horne on trumpet. 

Venue: New York Botanical Garden, NY                                             

Date: April 22 – October 29, 2017 

 

May 5 – September 24, 2017: Florine Stettheimer at the Jewish Museum

May 5 – September 24, 2017: Florine Stettheimer at the Jewish Museum

Painting Poetry 

An exhibition of paintings, theatrical costumes and poems of an American Modernist artist Florine Stettheimer (1871–1944) is on view at Jewish Museum through the summer. The collection presented here paints the world of Jazz Age New York as its experienced by high society of that time with witty satire and warm touch. The playful nature, light tones and elegant scenes were the reasons for relegating this artist to a decorative camp. However her talent is evident in everything she made and her oeuvre places her among the greatest artists of 20th century.

May - September, 2017: Florine Stettheimer at Jewish Museum
From the exhibition via artssummary.com

“Florine Stettheimer: Painting Poetry is the first major U.S. exhibition in over 20 years focused on artist Florine Stettheimer (1871-1944). The exhibition showcases over 50 paintings and drawings in addition to costume and theater designs, photographs, and ephemera, offering a timely reconsideration of this influential American artist with a sharp satirical wit, placing her centrally in the modern […]

via Florine Stettheimer: Painting Poetry at Jewish Museum, May 5 – September 24, 2017 — Arts Summary

Florine Stettheimer studied at the Arts Student League of New York from 1892 to 1895. She continued to refine her artistic style in pre-World War I Germany following Symbolist artists of the time. Another strong influence on Stettheimer work was made by the Ballets Russes. Upon returning to New York, she adapted her style to depict the life of her family and its circle of friends in her paintings and poetry. Continuing her connection to the world of ballet, she worked on costume and stage design incorporating new materials in her work. Because she didn’t depend on the sales of her works, she preferred to show her work only to her acquaintances and close friends and remained largely unknown to the public. After her death her close friend Marcel Duchamp organized a retrospective of her work at MOMA in 1946.

The history of the celebrated Ballets Russes is masterfully shown in The Ballets Russes by Zeitgeist Films.

Jewish Museum exhibition gives us a chance to understand this sensible artist. For museum hours click here.

 

Venue: Jewish Museum, 1109 5th Avenue, NY                 

Dates: May 5 – September 24, 2017 

Jazz in NYC: John Pizzarelli Sinatra & Jobim @ 50 at Birdland

Jazz in NYC: John Pizzarelli Sinatra & Jobim @ 50 at Birdland

Celebrating with Daniel Jobim and Jessica Molaskey half-centennial of Sinatra / Jobim recording 

Jazz in NYC John Pizzarelli Sinatra & Jobim @ 50 Birdland
John Pizzarelli; CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=966106

 

Soft melodies of jazz standards performed by a well recognized guitarist and singer John Pizzarelli in the company of an equally renowned jazz singer Jessica Molaskey and Antonio Carlos Jobim’s grandson Daniel Jobim will make for an unforgettable summer night!  The concerts are a celebration of 50 year anniversary of the recording made by Frank Sinatra and Antonio Carlos Jobim. Sinatra frequented a bar in Rio where Jobim had performed regularly, and this was how the timeless collaboration came to life.

An album to honor the anniversary is already released but what can beat the power of live performance at the Birdland?

John Pizzarelli comes from a family of New Jersey swing guitarist Bucky Pizzarelli well known in his own rights and still performing with John and his wife jazz-singer and actress Jessica Molasky. John credits Bucky as his most important teacher guiding his musical and professional career.

In the newly released album Pizzarelli masterly mixes the songs on the original recording done by Sinatra and Jobim in 1967 with those that were not included on it. That original album had “transported Brazilian music into stratospheric heights where it remains to the present day” in the words of Nick Catalano from AllAboutJazz.com.

The master of romantic ballades and sensible interpretation of classical tunes, Pizzarelli’s return to Birdland is highly anticipated. The audiences know his gentle sense of humor and warmth of his music. Its no wonder that “@50” album is described in The Times  as  “sentimental rather than slavish” with the “songs that weren’t on the Sinatra album coming off best”. You will enjoy Bossa Nova classics like Girl from Ipanema and many more.

You can make reservations here.

Venue: 315 W 44 Street, NY                                             Dates: August 8-12, 2017

Art in NYC: Anselm Kiefer at Gagosian Gallery on West 21 Street

Art in NYC: Anselm Kiefer at Gagosian Gallery on West 21 Street

Transition from Cool to Warm

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
Anselm Kiefer Les extases féminines (The Feminine Ecstasies), 2013 Watercolor on paper 65 3/4 × 60 5/8 inches (167 × 154 cm) © Anselm Kiefer. Photo © Georges Poncet. Courtesy Gagosian

Anselm Kiefer is known for digging deep into historical consciousness and renewal for people and land devastated by war and destruction. His usually large-scale, heavy paintings done in multiplayer of media are well-recognized precisely for portraying the secrets of the forgotten landscapes with metal or concrete chunks looking menacingly in your face. With the exhibition at Gagosian gallery , which in addition to the paintings includes a collection of watercolors showing women, flowers and their erotic interplay, the author moves closer to the stage of rebirth.

Being born in Germany two month before the end of Wold War II, Kiefer’s oeuvre confronts Germany’s dark past and the horrors of Holocaust. Another very distinguished element of his work is an intermix of various forms of artistic expression. As such, in his earlier works he used a reference to Romanian Jewish writer Paul Celan‘s poem “Todesfuge” (“Death Fugue”). And later he created a series of tributes to futuristic Russian poet Velimir Khlebnikov. His latest works are full of Wagnerian references. Last year exhibition at the White Cube Bermondsey gallery in London titled Walhalla had an explicit theme of final destruction. Some pieces looked like “a set for Wagner’s Götterdämmerung” in the words of The Guardian review by Jonathan Jones.

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
Anselm Kiefer Ignis sacer, 2016 Oil, acrylic, and emulsion on canvas 110 1/4 × 149 5/8 × 3 5/8 inches (280 × 380 × 9 cm) © Anselm Kiefer. Photo © Georges Poncet. Courtesy Gagosian

This conversation between literature and art continues at Gagosian gallery with a collection of more than forty artist created books exhibited in glass cases. The gallery stresses the importance of these books to author’s body of work as they carry “the sequences of narrative information and visual effect”. The viewers are free to make up the rest of the storyline using their personal experience and interpretation of cues on the pages. This is not the first time in his career that the author turns to the watercolors. In fact, the title of the exhibition refers to his celebrated book from mid-70s full of sea-blues,warms and nudes.

Kiefer is often likened to Rodin in the depiction of emotions invoking historical dilemmas and human relationships. As this year the world celebrates a centennial of Rodin death, Rodin Museum in Paris and Barnes Foundation have Kiefer Rodin exhibition ongoing. It will be on view at Rodin Museum in Paris until October 22, 2017 then move to the Barnes Foundation in Philadelphia, PA from November 17, 2017 – March 12, 2018.

Art in NYC Anselm Kiefer Gagosian Gallery paintings watercolors books
“Anselm Kiefer: Transition from Cool to Warm”
Installation view © Anselm Kiefer. Photography by Rob McKeever. Courtesy Gagosian

In November Anselm Kiefer will receive J. Paul Getty Medal. Getty Board of Trustees explained to Artnews that the medal recognizes Kiefer’s engagement “in big ideas and historic moments, and sharing with the Getty a passionate commitment to global culture.”

 

 

 

 

 

 

Venue: Gagosian Gallery 522 West 21st Street, New York, NY                     Time: May 5 – September 1, 2017