Theater in NYC: The Rise and Fall of Macondo at Pushkin Hall

Theater in NYC: The Rise and Fall of Macondo at Pushkin Hall

The Russian Arts & Theater Studio presents the Rise and Fall of Macondo, a play inspired by One Hundred Years of Solitude by Gabriel Garcia Marquez; at Pushkin Hall from October 30 – November 24, 2019 

The cast of The Rise and Fall of Macondo; The Russian Arts & Theater Studio
The cast of The Rise and Fall of Macondo; The Russian Arts & Theater Studio / Image courtesy of the theater

Selecting One Hundred Years of Solitude for a stage adaptation takes tenacity and ambition. After all, to recount the tales of the long list of Buendia family members, their close and distant relatives and neighbors in the town of Macondo from Marquez’s masterpiece would seem to take an eternity in theater terms. Or, it could feel like eternity for the theatergoers. Yet, the company’s artistic director Aleksey Burago accomplished the task with fluidity and charm.

Adapted with the broad strokes of a pen, the script has all the major turns of Macondo’s history, from its founding as a place of seclusion to the ups and downs of the time of peace to the honors of the years of war and ultimate decimation. Skillfully weaving in the inventive soundtrack and elaborate ensemble scenes, Burago sets a perfect pace for the narrative and condenses the epic story into a little over a two-hour running time. The acting by the cast of The Russian Arts and Theater Studio is spot on and flows with ease.

The spirit of a big family all living under the same roof is recreated by the 15 cast members who are present on stage throughout the play. In keeping with the orthodox traditions and orders, male and female characters are positioned on the opposite sides of the stage for clear delineation of gender roles. But soon, Ursula, Di Zhu, the family matriarch takes control of the household in her hands and raises its 6 generations. She eventually passes the baton on to her great-grand-daughter Amaranda also played by Zhu. Fate defies the high expectations for Ursula’s sons and grandsons, so Amaranda is the last member of the Buendia family who ends the line. However, the ghosts of procreation and hope remain in the air even when the only creatures left on stage are ants.

Enjoy this sleepless journey of vivid allegories, earthy emotions, and the dreams of a simple life. The play is performed in English; running time is 2 hours and 15 minutes with one intermission.

Inspired by the novel by Gabriel Garcia Marquez

Adapted and directed by Aleksey Burago

Cast: Jaime Carrillo, Micheal Donaldson, Roman Freud, Kristina Korop, Alex Malyi, Luisa Menzen, Ariel Polanco, Paulo Quiros, Riccardo Ripani, Tom Schubert, Lana Stimmler, Desen Uygur, Oleksiy Varfolomiyev, Naira Zakaryan, Di Zhu

 

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Dates: October 30 – November 24, 2019

Venue: Pushkin Hall, 165 W 86th St, New York, NY 10024

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Art in NYC: Art Nouveau / Nouvelle Femme Posters by Alphonse Mucha at Poster House

Art in NYC: Art Nouveau / Nouvelle Femme Posters by Alphonse Mucha at Poster House

The recently opened museum of posters presents Alfonse Mucha: Art Nouveau / Nouvelle Femme, its inaugural exhibition of posters and decorative objects; on view from June 20-October 6, 2019

Art Nouveau posters at Poster House by Alphonse Mucha,Sarah Bernhardt/La Plume [1896]
Alphonse Mucha,Sarah Bernhardt/La Plume [1896] Lithograph / On loan from the Richard Fuxa Foundation
Basking in the luxurious decorations, femininity, and beauty of Art Nouveau style of the belle époque Europe, the exhibition of about 80 works by Alphonse Mucha aims to bring back the history and the glory the poster-art. Mucha was a Czech artist who became famous overnight when he designed a poster for Sarah Bernhardt’s play Gismonda in 1894. As the legend goes, on Christmas Day in 1894, Mucha was doing the proofs at the printing house when an urgent  request for a poster came from none other than Sarah Bernhardt herself for a reopening of her play on January 1. Because of the holiday downtime, Mucha was the only one available to do the job. Mucha’s innovative design, subtle colors, and new accents impressed Bernhardt and his new poster style captivated Paris for the next two decades. Mucha’s signature halo-over-the-head design, intricate details and adornments, soft colors, and the double-length layout were perfect for storefront and street advertisement.

The exhibition of Mucha’s major works presents his art in two galleries. One gallery is dedicated to the advertising posters, which include designs for theaters, cookie brands, the beer-producing region, and bicycles and spirit companies among others. The second gallery shows the posters made for decorative purposes.

Art Nouveau posters at Poster House by Alphonse Mucha Bières de la Meuse [1897] Lithograph
Alphonse Mucha, Bières de la Meuse [1897], Lithograph
The exhibition curators rightfully credit Mucha with revolutionizing the world of advertising by placing la femme nouvelle, confident and adventurous in her choices, at the center of his compositions. His collaboration with Sarah Bernhardt, the most famous actress of her time, who herself was a strong, independent, and entrepreneurial person, resulted in such celebrated works as Gismonda, La Tosca, Hamlet, Medee, and other posters. Created for theater plays staring Bernhardt, these works demonstrate “le style Mucha” which dominated the art world from the early 1890s to 1910.  All the works in the exhibition are on loan from Richard Fuxa Foundation in Prague. Alphonse Mucha: Art Nouveau / Nouvelle Femme is on view until October 6, 2019.

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Theater in NYC: Chekhov’s The Seagull in Aleksey Burago’s Production

Theater in NYC: Chekhov’s The Seagull in Aleksey Burago’s Production

The Russian Arts Theater & Studio’s lively production of Anton Chekhov’s The Seagull retells a timeless story of despair, vanity, and the fleeting power of success; EXTENDED till June 1, 2019 at Pushkin Hall

A scene from The Seagull by Anton Chekhov by The Russian Arts Theater & Studio
A scene from The Seagull by Anton Chekhov by The Russian Arts Theater & Studio; Photo by Jared Biunno

The world of Chekov’s contemporaries masterfully recreated in the script by the genius playwright is vividly staged by the esteemed theater director Aleksey Burago of The Russian Arts Theater & Studio. It’s an all too familiar story of the misunderstandings and missed opportunities accentuated by the ultimate insensitivity and selfishness of the characters tied together by circumstances and family connections.

Ranging from the veteran theater actors to those who are just launching their artistic careers, the cast in this enthusiastic and engaging production makes Chekhov’s drama accessible and relatable. And while each of character is thinking of doing good to others, egotism subverts their actions and leads to a disastrous finale.

 

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Theater in NYC: Hans Christian Andersen – Tales Real & Imagined

Theater in NYC: Hans Christian Andersen – Tales Real & Imagined

A play about the life of the beloved author of fairy-tales Hans Christian Andersen opens at The Duke on 42nd Street from May 5 – May 25, 2019

Jimmy Ray Bennett in the title role of HANS CHRISTIAN ANDERSEN: TALES REAL & IMAGINED by Ensemble for the Romantic Century
Jimmy Ray Bennett as HANS CHRISTIAN ANDERSEN: TALES REAL & IMAGINED by Ensemble for the Romantic Century; Photo credit: Shirin Tinati

The Ensemble for the Romantic Century tells a story about Andersen’s life by weaving in Andersen’s autobiographical writings, his fairy tales, and the emotionally deep musical scores by Britten, Purcell, Part, Stravinsky, and Barber. The production about the beloved children’s book writer is much more serious and deep than the name suggests. It runs at The Duke on 42nd Street from May 5 – May 25, 2019.

The artistic directors of the Hans Christian Andersen: Tales Real & Imagined use the genre of theatrical concert, combining theater, classical music repertoire, voice, and puppets. Accompanied by highly sensual music, Eve Wolf’s script tells the touching story of Andersen’s life by intertwining biographical details with references to the characters from his famous fairy tales. The scores by Purcell, Britten, Arvo Part, Stravinsky, and Barber organically color the episodes of Andersen’s life in tense, poetic, and desperate hues. Performed by the outstanding pianists Max Barros and Carlos Avila, and a formidable percussionist Shiqi Zhong, the music often takes an upper hand over the rest of the production’s components.

Jimmy Ray Bennet stars as Andersen with countertenors Daniel Moody and Randall Scotting alternating as Andersen’s dearest friend Edvard Collin. They are joined on stage by the familiar puppets from The Ugly Duckling, The Princess and the Pea, The Little Mermaid, and other fairy tales. While giving a nod to Andersen’s childhood interests in the puppet theater, the puppets and the puppeteers are a tenuous addition to the show. The musicians and singers, on the other hand, save the day by making the music tell it all.

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