World premiere arrangement for chamber orchestra of Tchaikovsky’s beloved collection of piano vignettes The Seasons and Vivaldi’s The Four Seasons will be performed at Carnegie Hall on Saturday, January 25, 7PM
Jessie Montgomery and Jannina Norpoth’s world premiere arrangement of Tchaikovsky’s endearing collection of piano miniatures The Seasons is paired with Vivaldi’s The Four Seasons, performed by violinist Vadim Gluzman with the insight and warmth that make him one of Orpheus’ favorite collaborators.
Program:
TCHAIKOVSKY arr. Jessie Montgomery and Jannina Norpoth: The Seasons, Op. 37a
VIVALDI: The Four Seasons
Tickets start at $25 | Student tickets are $15 | Groups of 8 or more save 25%
A retrospective of works by conceptual artist Hans Haacke at the New Museum is the first major survey of the artist’s works in 30 years. It presents the artist’s oeuvre from the 1960s to the present.
Renown in the art world for his interest in the systems, from mechanical to environmental to social, Haacke’s explorations in the field of investigative art made a splashy headlines in 1971 when his exhibition at the Guggenheim Museum was canceled because it included Shapolsky et al Manhattan Real Estate Holdings, a Real-Time Social System which probed the real estate dealings of the landlords of Manhattan’s slums. This time Shapolsky et al is on view at the New Museum.
The exhibition also includes Haacke’s kinetic and mechanical art which was created at the start of his career in Germany in the early 1960s. It progresses throughout the years to the recent Make Mar-a-Lago Great Again arrangement from 2019.
Spread over the four floors and the lobby, there are loaded installations that cover such topics as the troubled corporate sponsorship of the arts, the duplicity of business culture, and the societal biases in how the public values and appreciates the art. Haacke’s famous entry for the Fourth Plinth project was Gift Horse, 2014. Conceived in 1998, the project selects artwork for a temporary exhibition on the unoccupied corner on the Trafalgar Square in London. A tribute to Scottish economist Adam Smith, the bronze skeleton of the thoroughbred with the electronic ribbon which displayed the ticker feed from the London Stock exchange (for the exhibit at the New Museum it displays a feed from the New York Stock exchange) was commissioned by the Mayor of London to stand alongside the permanent sculptures of King George IV and the two generals Henry Havelock and Charles James Napier.
The exhibition is a strong reminder about the societal disharmonies of the past and current times. Stroll through the galleries, ponder over the peculiar physics of wave formation or condensation process which are the subjects of Haacke’s early period, participate in the museum visiter’s survey as a participatory piece of art, and get deep into an uneasy relationship between the business and the art.
Storm King Art Center presents a survey of works by an American conceptual artist Mark Dion titled Follies; on view until November 11, 2019
Mark Dion, Hunting Blind (The Dandy Rococo), 2008/2019; photo by Jeffrey Jenkins / Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles
The rolling hills and wooded greenery of the Storm King Art Centermake a perfect site to display the architectural follies created by the conceptual artists Mark Dion. Known for his scientific installations and exploration into momentous obsessions, Dion’s follies which are presented as self-contained thematic stations, can be found on the vest outdoor grounds of the park and at its museum galleries.
The peculiar structures by Dion are situated around the North Woods, Meadows, and South fields sections of the park. They fit so perfectly to the surrounding nature that they require some effort to be found. Rewarding those who are brave enough to venture into the woods and to the far parts of the center, the art tells stories about various traits of human behavior and life circumstances. Some of the installations are created for interactive use. Others can only be observed from afar. But a unifying theme for the art is its gentle nudge to look at the conventional objects in a new light as symbols and symptoms of affection.
Mark Dion, Dana Sherwood, Conservatory for Confectionery Curiosities, 2008/2019; photo by Jeffrey Jenkins / Courtesy the artists and Tanya Bonakdar Gallery, New York/Los Angeles
The 9 pieces positioned outdoors explore a human interest in nature, environments, scientific observation, and even confectionary temptation. The works housed indoors closely scrutinize the dark sides of life choices. Both mellow and sharp, the artworks emphasize the disruptive nature of even simple action. The exhibition review in the FTnotes that “hunting, finding, collecting, measuring, preserving — these activities common to art, sport and science merge in Dion’s work”. This kaleidoscope of objects makes a parallel to the prior centuries personal collections of curiosities. It fascinates and makes one pause to rethink humans’ relationship with the environment. Look around, contemplate, and wonder about a way to bring more harmony into everyday life. Visit the Storm King Art Center and enjoy Mark Dion: Follies exhibit!
The Russian Arts Theater & Studio presents an elegant and subtle parable of the life in exile based on Ivan Bunin’s and Nina Berbersova’s stories; at Pushkin Hall from December 18 – 28, 2019
Theater poster for Bunin/Berberova: In Paris / The Waiter and the Slut / Image courtesy of The Russian Arts Theater & Studio
This summer, The Russian Arts Theater and Studio presents two gripping love stories by Russian émigré writers: Nobel Prize winner Ivan Bunin and the provocative Nina Berberova.
Driven to exile following the revolution, former Russian aristocrats now find themselves isolated as new immigrants in Paris. Their new lives are spent battling sickness, searching for affordable apartments and waiting in pawn shops. Ivan Bunin’sIn Paristells the brief and bittersweet story about the encounter of an ex-general of the old imperial army and Olga Alexandrovna, a young woman now working as a waitress in a Russian restaurant. Upon a chance meeting, they momentarily find a sense of home in each other’s arms. In Nina Berberova’s raw and searing The Waiter And The Slut, Tania, the daughter of a St. Petersburg big-shot, now finds herself in Paris, where her husband dies in a mental hospital and she is reduced to surviving on meals paid for by male admirers. As she ages, her admirers grow more grotesque, and she soon finds herself trapped in a devastating affair with a waiter—a man she soon grows to hate.
Directed by Aleksey Burago, the company’s artistic director, with the set design by Natalia Danilova, the production skillfully incorporates Edith Piaf’s songs and vintage film rolls and photographs of Paris in the 1930s to set the mood for a seemingly simple yet deeply disturbing tales. The choice of contrasting colors for the stage decor, airy and light for In Parisand gloomy and dark for The Waiter and the Slut, accentuates the pain and desperation. The nuanced read of Berberova’s prose by the director leaves aside the extreme misery of the characters’ situation which could make an opening for another play. Genuine acting by the cast of Roman Freud, Luisa Menzen, Tom Schubert, and Di Zhu keeps the spectators on edge and delivers a terrific theater night for every theater and literature lover!
Directed by Aleksey Burago
Based on the short stories of Ivan Bunin and Nina Berberova; performed in English
Adapted by Fred Pezzulli
Set Design by Natalia Danilova
Featuring: Roman Freud, Luisa Menzen, Tom Schubert & Di Zhu
Bronxville Women’s Club continues its Midland Music Series with an evening of Romantic Sonatas by Chopin and Frank performed by Robert Burkhart, cello, Oxana Mikhailoff, piano, Vassily Primakov, piano on Saturday, January 4, 2020 at 7 pm
This concert is presented in collaboration with ARTS-NY
Robert Burkhart, cello, Vassily Primakov, piano, Oxana Mikhailoff, piano
With every event, Midland Music Series takes music lovers one notch up in the understanding and appreciation of serious classical music. The 2020 year will be no exception. The year starts with a program of big Romantic Sonatas for cello and piano by Chopin and Frank.
Remembered for his introspective performance in the previous season, Robert Burkhart returns to Bronxville Women’s Club to play the cello with the remarkable pianists Oxana Mikhailoff and Vassily Primakov.
Cellist Robert Burkhart brings an “adventurous” spirit by committing to the existing cello repertoire and new music. With performance credits at Alice Tully Hall, Bargemusic, Carnegie Weill Recital Hall, Merkin Hall, and The Rose Studio at Chamber Music Society of Lincoln Center, Robert has also appeared as a soloist throughout Japan as a member of the New York Symphonic Ensemble, and been featured in recital on WQXR’s “Young Artist Showcase.”
The pianists of high-acclaim, Mikhailoff and Primakov are well regarded by the critics and the public. American Record Guide compares Primakov’s playing to Gilels’ noting that since “Gilels, how many pianists have the right touch?” Mikhailoff is well-known for her poetic and sensitive style, essential for playing Chopin’s music.
Program
Chopin Sonata for Cello and Piano op. 65 in G Minor; Robert Burkhart, cello and Oxana MIkhailoff, piano
Frank Sonata for Cello and Piano ( Violin and Piano) in A Major; Robert Burkhart, cello and Vassily Primakov, piano
The concert on Saturday, January 4, 2020 promises to be an unforgettable night of music and fun! Join the musicians in the charming setting of the Bronxville Women’s Club. Bring your friends and family for the joy of music and wine!
